I MISS THE STEREO NEEDLE

Stereo

One thing the Vietnam war brought America was great stereo systems from the “Tokyo Exchange”. Guys coming back from “Nam” usually came back with these gigantic Akai stereo systems that they bought through the military PX/exchange. In the late 60’s and early 70’s when Rock was good, the baby boomers started working on their “tinitus” (pronounced ten-it-us, not ten- eye- tus) It’s ringing of the ears. Contrary to what the new commercial over the counter products say; tinnitus is the result of killing off the cells in your Cochlea or hearing organ in the inner ear. When you hear that ringing in your ear after you hear a gun shot, that’s tinnitus. For us musicians it’s that ringing in our ears that comes from standing in front of Marshall cabs for 3 hours.

But I digress. Back in the day (1970’s) We had really cool speakers. My personal favorites were Bose 501s. (not to big, not to small) you had to have a receiver, preferably 50 watts per channel. A Techniques turn table. A Sony cassette to cassette recorder, and of course a 12 to 24 band eq (graphic equalizer). Then on a Friday night when the new Pink Floyd album came out, you told your neighbors to shut their windows if they didn’t want to hear DSOTM at 90 decibels.

The speakers and eq really made the system. (and a good cartridge or “Needle”) OH and don’t forget the bean bag.

All we had back then was vinyl. But it was great if you recorded it on your cassette tape before your LP “record” got scratched. (damn cats) Then began the quest to improve the media. They did a great job, but in doing so, they screwed up the sound ! IT’s the SOUND DAMN IT.

I don’t give a damn about MP3 players. I don’t want to listen to music through ear plugs. Plus MP3’s rob you of 90 percent of your sound.

But I’ve jumped ahead.

Next came cassettes and really cool high end cassette players that had titanium play heads and a bitchin’ thing called “SOUND SEARCH”. A really good cassette player would fast forward and stop in between tracks. A mega/uber cool player would have a belt driven carriage. (Like a VCR if you’re familiar with those antiques) It took the cassette and gently lined up the tape so the heads played the tape at a perfect perpendicular angle.

record player

Then somewhere in the 70’s someone really really high invented the 8 track. lol…… Oh the jokes you can tell about 8 tracks. If you had an 8 track player in your car, and you wanted to hear a certain song again; you had to keep driving. You also had to make sure you had a book of matches to wedge under the tape and the player opening to line up a worn tape. lol how awful.

Then in 1979, every FM Radio station in the free world bragged about having the “digitally re-mixed” version of the White Album, or Houses of the Holy, or Elvis Costello’s My aim is True.

It’s safe to say that Consumer music sounded the best in the early 80’s. We still had the bad ass speakers and graphic EQ’s.

Fast forward 20 years. 8″ sub woofers with tweeters gave way to 2.5″ boom box speakers. Of course the price of the new CD system was only about 300 bucks. (complete with 5 spot CD carousel) The stereo system as we knew it morphed into the glorified boom box. Even the quality of the CDs went to hell. Originally CD’s would take a lickin and keep on tickin. Now they’re pieces of crap that are only good for burning wave files on to archive.

In 1998 when the personal computer became as popular as the Television; they came with MP3 players.  An Mp3 is a degraded sound file that has 1/10th of the information the full wave (.wav) file.  You could still here the song but when you do an A/B comparison, there’s no question that MP3s strip the original song of many important frequencies.

I predicted someone would invent an MP3 device. “SHAZAM” the IPOD. They even came out with IPOD sunglasses for skiing. Ya you could hear something, but you never heard DSOTM or Close to the Edge unless you’ve heard it on vinyl or early 80’s CDs through huge fricken Bose speakers.

Oh how I miss the drop of the needle.

CROSS THIS OFF YOUR BUCKET LIST

Kingsmen

In 1956 Richard Berry wrote a song about a sailor who fell in love with a bar maid in Jamaica.  Being a lonely sailor out at sea wasn’t  exactly a song with an edge during the “birth of Rock and Roll”.

The song was kicked around by 3 to 4 bands on the west coast and North West but went “No where really fast”.  That is until 1963.  Under the worst of recording conditions, a band called the Kingsmen recorded what would be one of the greatest musical hoaxes of all time.  No not Milli Vanilli, in fact this Hoax was taken so seriously by that tyrant homosexual in Washington, “J. Edgar Hoover”, that the FBI spent tax payer dollars for 31 months trying to prove something that was just a bunch of prankster teenagers, “Punking” their parents.

The FBI could have been investigating the military industrial complex and the lobbyists from Bell, (Who made the parts to repair the UH-1 helicopter that sent thousands of young kids to their death at the hands of “Charlie”.  But instead, Just as “Paul is not Dead” and John Lennon did not say “I buried Paul” in Strawberry Fields, There wasn’t one dirty word in the1963 HIT SONG “LOUIE LOUIE“.

THE HOAX

Teens in 1963 were just being rebellious teens and they floated a rumor that the song “Louie Louie” by the Kingsmen (Which had almost inaudible vocals) was a filthy song and the obscenities could be heard when you played the 45rpm at 33.3 rpms.  Mothers were outraged (which caused the sales of Louie Louie to sky rocket) and without interviewing the singer of the song or the writer, the FBI fed the song into audio analysis equipment like it was the Zapruder Film.  The F.B.I. spent 2.5 years trying to find a dirty word in Louie Louie.  So of course, bands that played high school proms would make up their own filthy lyrics and the myth became worse as it was publicized.  After 31 months, The official FBI report said: “They were unable to interpret any of the wording on the record”.  Ladies and Gentlemen I give the you the lyrics to Louie Louie

Chorus

Louie, Louie (Oh baby, I said)
Me gotta go. (now, ya ya ya ya I said)
Louie, Louie(Oh baby, I said)
me gotta go.

A fine little girl, she wait for me,
me catch a ship across the sea
I sailed the ship all alone
I never think I’ll make it home

Three nights and days we sailded the sea
me think of girl constantly
On the ship, I dream she there
I smell the rose in her hair

Me see Jamaica moon above
It won’t be long me see me love.
Me take her in my arms and then
I tell her I never leave again

BEATLES 101 FOR GREG

ON THE FIVE

BEATLES 101 for Greg

Gutfeld83

Greg Gutfeld who is usually the resident “Cool dude” on all things music choked on the topic of the Beatles.  He did give the band props for knowing when to call it quits and even Bob Beckel understood how the Beatles reinvented themselves over the years to stay “Fresh”.

But Greg, you need to know a few things about the Fab Four in the early years. (No I’m not going to talk about Johnny and the Moon Dogs or the Quarry men)  But Elvis was the King of Rock and Roll between 56 and 59.  He NEVER went to Europe.  Colonel Tom Parker, his manager, was afraid to fly.  On the other hand; Buddy Holly and the Crickets (Which is where the “BEATLES” came from) did tour England.  John was so infatuated with Buddy,

  • A. because of his music and production skills, and
  • B. Because John said Buddy made it cool to wear glasses on stage.

The first demo the Beatles ever recorded was “That’ll be the Day”.  Buddy had so much influence on the English music.  In fact, Buddy influenced the Brits so much that Brit Rock star “Tony Sheridan” was the first British musician to own a Fender Stratocaster, because of Buddy Holly.

The Beatles were in love with Holly’s music, but when they came to America they met a black Rock musician that influenced their music even more.  Little Richard Pennimen was the influence behind the Woooooo when the Beatles would shake their hair..

So when “Please Please me” came out, it was a hybrid of Buddy Holly and Little Richard.  This sold well to millions of young white kids. (See my article Beatlemania and the Stupid 8 year old). 

Paul felt the band was getting to old to sing: “I saw her standing there” and was responsible for the re-invention of the band in 67.  It was easy to see that Paul had the commercial sound while John truly wrote songs of substance; Poetry from the heart.  The song “Tell me Why” was a song that John said he wrote for children from broken homes. Paul was the teen Idol of the band and his original works show it.  In Lennon’s “How do you sleep”, John writes, “The only song you ever wrote was Yesterday”.  And even when he wrote that song, Paul was obsessed with writing a song like Simon and Garfunkel’s “Bridge over troubled water”.

Paul, after John’s death, would confess that great lyrics just rolled off of John’s tongue, where Paul had to struggle.  Ironically, because Paul was such a “Paul Anka-ish” bubble gum sell out; he had greater post Beatle success than his counter part.  But one can argue that Paul’s success was quantitative while John’s “Imagine” and “Woman” were far superior to anything Paul ever wrote and had greater “qualitative success.

Beatles

WHERE ARE THE DREAMERS?

FB cover2

“A life without dreams is not worth living” ~ Ace Andres

 I’ve told this story before.  When I was six years old in first grade, we all had to stand up and declare our future occupations.  Actually it was more of a dream sharing period.  The girls all got up and said: “I’m going to be a nurse”.  The boys all stood up and said, they wanted to be policemen, firemen, Astronauts, football players, baseball players, basketball players, sailors or Soldiers and one kid wanted to be like Elvis.  (Guess who)

But there was never any hesitation about what kids wanted to be. I can’t imagine what kids want to be today.  What are their dreams?  A majority of kids don’t get out of the house so they don’t know what it’s like to play catch, one on one basketball or tackle football in the middle of the street. They have to be blessed with great eye/thumb coordination.  That’s about it.  They live for the most part in a virtual world.  This irony was eloquently exposed on an episode of Duck Dynasty when the father tries to take the grandkids fishing and he asks if any of them have been fishing and one granddaughter replies: “I have a fishing video game”.

The T.V. programming in today’s society emphasizes one thing.  Be rich, however; It’s more of a “Lotto” mentality.  It has little to do with virtue, hard work or using your brain,  but it’s all about “Dat Green”.  Some kids want to be rappers as they see talentless entertainers who can’t even write or pronounce the words they’re trying to say, wearing gold chains (bling) and exploiting women as sex objects.  I don’t think kids seek vocations with virtue anymore.  Social status is an evil concept in today’s society.  (It’s great however; if your dad is a doctor and you can live at home in your parents “cottage).

We’ve done a pretty good job of destroying dreams.  The “Cool” kids do drugs and hate cops.  Firemen die for other people….yuk. Playing sports means leaving your X-box and bag of Cheetos. Obama thinks war is bad so forget about the military and being a potential amputee.  The Term “Rock Star” is antiquated and only refers to “popularity” as there are no more rock stars just as the age of Rock music died……… “I just don’t know anymore”.  I do know that kids are being more polarized.  There are those who can read HTML and those who don’t know how to turn on a PC.  It has nothing to do with inequality of opportunity.  It has everything to do with inequality of work ethics.

FoodStamps

I truly hope the future of our kids is not Jason the Food Stamp surfer and the “Rat’s life”.  But I see little hope of society turning this trend around in the next 3 years.

 

THE GUITAR god OF LOS ALTOS

Moonman2

That’s what the WAVE magazine (South Bay/San Jose, CA) calls me.  I’m sure Greg Gutfeld has a few copies in his bathroom.  When I released my album “American Infidel”, the Wave Magazine gave it rave reviews and called me the guitar god (Little g) from Los Altos.  A city south of San Mateo where Greg was born.

Anyway, I figured the president is going give a speech to those with Obamaphones and the rest of his constituents that can’t read or write.  That’s why he uses plenty of one syllable words and can not pronounce Corpsman.  (Ask any Marine on a beach what a Corpsman is and they’ll tell you.  It’s what you yell when you’ve been hit and you’re dying.) But I digress.  So I figured instead of writing another boring article on that self important ass hole, I said: “Screw him”,  I would write about a different one.  Me!

Green Ace_edited-2

In my world, one of the greatest guitar instrumentals ever written was “Sleepwalk”.  It hit the charts in the late 50’s by a group called Santos and Johnny. Actually it was Santos/Santos/and Johnny.  So on my 3rd album I recorded the Iconic 50s song which was the theme song from the movie “La Bamba”.  Starring Lou Diamond Phillips.

The original won a Grammy for being the only song featuring a pedal Steel guitar to make the pop charts.  Then it got forgotten about until 1986 when Larry Carlton recorded it.  Larry’s version got very little air time and again it was forgotten about until the Stray Cats made it big.  Brian Setzer who most young people think wrote the song has a beautiful version of it.  When Brian started the Brian Setzer Orchestra (BSO) he recorded what I felt was perhaps the best version of it.

Fast forward to 2004.  I was in love with the song.  I loved the original, I felt BSO with that horn section just lit the song up.  (Damn those horns) So when I was in the studio doing my version, I wanted to stay true to the original but I wanted it to POP like Setzer’s BSO version.  So I used various guitars.  I played slide on a Les Paul guitar and I played the Horn section with a Melodic Heavy Metal guitar to make it pop.  (It’s called shredding).  Put it all together and I say this after 10 years of the album’s release, but I think my version is amongst the best.  If you took my version and spliced Brian’s horns in it, it would be the best by far.  Unlike Brian who tends to play “Busy” and unlike Santos and Johnny who just played a “foundation”.  I think my version is “amongst” the best.

If I could have only mixed in those beautiful horns.

YOU BE THE JUDGE.  I don’t think the BSO version is on you tube any longer, also the photos were shot by me and all of the instruments were played by me.

PIERRE “CAJE” JALBERT 1925-2014

Caje cloud star small

REST IN PEACE PIERRE

January 9, 1925 – January 22, 2014 Pierre Jalbert, Captain of the 1948 Canadian Olympic Ski Team, actor, film editor and ADR specialist, passed away at age 89 in Los Angeles on January 22nd, following complications from a recent heart attack. A native of Quebec City, he moved to Los Angeles in 1952, and became a film and dialogue editor at Universal and MGM. Credits include Blackboard Jungle, Bad Day at Black Rock, Ben Hur, Mutiny on the Bounty, An American in Paris, Tea and Sympathy, Something of Value. In 1961, the agent of Pierre’s wife Joy recommended he audition for the role of a French-speaking WWII GI in the TV drama, “Combat!” Pierre played the role of “Caje” from 1962-1967.  Caje was a regular favorite.  He was known for “Taking the Point”  He played the squad’s French translator.

Id shoot you

He was also featured in The Richard Petty Story, Ski Bum, Ski Lift to Death and Airport ’79. Pierre then returned to the cutting room and ADR booth at Paramount, and worked on Concorde, Bloodline, Grease, The Godfather (including the famous baptism intercut sequence at the end of the movie), and the miniseries Shogun – where he was nominated for an Emmy for sound editing. Pierre excelled in home remodeling, masonry, and artistic crafts, and enjoyed French history, Eastern philosophy, fine wine and good conversation. Pierre is survived by his loving wife of 53 years, former actress and ballerina Joy Lee. Memorial service details are pending – Parts published by the L.A. Times

Caje H2O

 

Caje GREAT PIC

 

TOP TEN GREATEST CARTOONS

So it’s The Week End

I’m sick of writing the same crap about Politics.

IT’s TIME FOR SOMETHING DIFFERENT

MY TOP TEN FAVORITE CARTOON CHARACTERS OF ALL-TIME

Most of these characters reflect me (A Smart Ass with style)

10. King of the Hill.

 King

 Just making the list are the Good Ol’ boys from Arlen Texas.  Hank Hill and neighbors

9. Spy vs. Spy

spy_vs_spy 

 Although these guys were primarily seen on Mad Magazine, they did have a short run on Saturday Morning Cartoons.  Unfortunately Cartoons were turning PC so they couldn’t really be appreciated.  They epitomized the cold war version of the Road Runner and the Coyote.

8. SOUTH PARK

 SouthPark

These four kids were incredibly funny in their first 4 seasons.  They were Low tech and high quality humor.  In season five they lost the simplicity of pure humor.

7. THE SIMPSONS

Simpsons

Dick Wolf and Matt Groenig are fighting it out for the longest running TV series of all time.  I call it beating a very dead horse.  Wolf just wanted to beat “Gun Smoke” as the longest running TV series with his “Law and Order” series/franchise. Law and Order threw in the towel in 2010 after its’ 20th season.  However the spinoff “Law and Order Special Victims” (SVU) which is in its’ 15th season continues to limp along.  At the same time “The Simpsons” would start their run in September of 1989 and is now in it’s 25th season.

6. SNOOPY and PEANUTS

Snoopy

Charles Schultz ran his successful syndicated comic strip in 21 languages between October of 1950 to February of 2000.  TV Guide Ranked Peanuts comic strip as the 4th best cartoon of all time.  It comes in at #6 on the Café Americain.

5. THE PINK PANTHER

 pinkpanther

The Pink Panther was one of the few cartoons that had a main character with no dialogue.  It had an unforgettable theme song which was written by Henry Mancini.  One of the more popular cartoons that got its’ start on the Pink Panther’s show was “The Ant and the Aardvark.  Many thought the Aardvark or Ant eater was played by Jackie Mason and the Ant was supposed to be voiced by Dean Martin.  The actual actor who voiced both characters was comedian/impersonator John Byner.

4. FELIX THE CAT

 FelixTheCat

(The wonderful wonderful cat) Goes way back.  He was created during the “Silent Film Era”.  Felix is best known for his ubiquitous cat clock.  His cartoons originally were shown on the Silver screen before the main event. His cartoon series would begin on the small screen in 1959.

3. MICKEY MOUSE

 Mickey-mickey-

Mickey Mouse actually came across the silver screen on the heels of Felix the Cat.  Mickey became the Icon of the Disney Corporation.  He had his own club on television from 1955 to 1959 called  “The Mickey Mouse Club” which spawned such talents as Annette Funicello. The MMC would be resurrected in the 70s, 80s and 90s and the latter version would spawn celebrities Britney Spears and Christina Aquilera.

2. BUGS BUNNY

 Bugs

Bugs had his own hour long show.  His voice was dubbed by the great Mel Blanc (who did most of Warner Brother’s Cartoon voices) Bugs Bunny is still being shown on Saturday mornings after he was first created in 1940. In 1948 he was part of the “Loony Tunes” cast which had its’ 7:30 prime time half hour spot from 1948 to 1960.   Then in 1960 he was featured in a list of hour long Saturday morning  shows from the Bugs Bunny/Road Runner hour to the Bugs Bunny and Tweety hour.

1. WOODY WOODPECKER

Woody

Walter Lance, through Universal Studios created Woody Woodpecker in 1940.  Lance was also responsible for creating many of the characters that were released by Warner Brothers such as Bugs Bunny and Daffy Duck.  In fact Mel Blanc who did the voice overs for the Loony Tunes also did Woody Woodpecker.  Of all of the animated characters I’ve enjoyed over the years, Woody Woodpecker has always resonated the most with my own personality.

TOP 10 LISTS IN MUSIC

THE TOP 10 GREATEST in MUSIC

TOP 10 Blues Songs Recorded

bbking

10.  Sweet Home Chicago – Albert King

9.   Crossroads – Freddie King

8.  2AM in Texas – Ace Andres

7. Tore Down – Freddie King

6. The Sky is Crying – Albert King/Stevie Ray Vaughan

5. Texas Flood – Stevie Ray Vaughan

4. Red House – Jimi Hendrix

3. Just Aint my Cross to bear – Allman Brothers

2. Statesboro Blues – Allman Brothers

  1. The Thrill is Gone – B. B. King

TOP 10 GREATEST ROCKABILLY SONGS

bluesuede

10. That’s alright Momma – Elvis

9.  Honey Don’t Carl Perkins – Carl Perkins

8. Ubangi Stomp – Ace Andres

7.  Rock This Town – The Stray Cats

6. Summertime Blues – Eddie Cochrane

5. I fought the Law – Bobby Fuller Four

4. Good Rockin’ Tonight – Elvis/Robert Plant & the Honey Drippers

3. Flying Saucer Rock and Roll – Brian Setzer

2. Bullet Proof – Lee Rocket

  1. Blue Suede Shoes – Carl Perkins

TOP 10 GREATEST ROCK AND ROLL SONGS

Elvisgold

 10. Blitzkrieg Bop – The Ramones

 9. Wollt ihr Das Bett in Flammen sehen – Rammstein

8. Stranglehold – Ted Nugent

7. Smells like Teen Spirit – Nirvanah

6. Johnny B. Goode – Chuck Berry

5. Lucille – Little Richard/Ace Andres

4. Great Balls of Fire – Jerry Lee Lewis

3. Born to be Wild – Steppin Wolf

2. You Shook me all night Long AC/DC

  1. Heartbreak Hotel

TOP TEN GREATEST COUNTRY SONGS

hank-williams

  1. Move it on over – Hank Williams

9.  Your Cheating Heart – Hank Williams

8.  This Broken Heart – Raul Malo and the Mavericks

7. Blue Moon of Kentucky – Bill Monroe

6. El Paso – Marty Robbins

5. Me and Bobby McGee – Kris Kristofferson

4. Faded Love – Hank Williams/Patsy Cline

3. Crazy – Patsy Cline/Willie Nelson

2. All my Ex’s live in Texas – George Strait

  1. Stand by your Man – Tammy Wynette

TOP 10 GREATEST R AND B SONGS

SMOKEY

10.  Never found a girl – Booker T/Daryl Hall

9.  Please Please Please – James Brown

8. My Girl – The Temptations

7. Standing on the Top – Rick James and the Temptations

6. Respect – Areatha Franklyn

5. Being with you – Smokey Robinson

4. 60 Minute Man- Billy Ward and the Dominoes

3. Every time you go away

2. Ooh Baby Baby – Smokey Robinson

1. Let’s get it on – Marvin Gay

TOP 10 GREATEST MUSIC EVENTS IN HISTORY

phillips_elvis

 10. Ike Turner. Wrote the first Rock and Roll song recorded. – Rocket 88

 9. Dick Dale. Built the first “LOUD”  guitar Amplifier

8. John Lennon. His obsession with Buddy Holly led to something really BIG.

7. Buddy Holly changed the music Industry. The 1st artist to write, record & produce.

He’s the link between Elvis and the  Beatles

6. Chuck Berry. Broke the racial barrier.

5. Howlin’ Wolf. First artist to record at 706 Union Ave. In Memphis

4. Alan Freed. The Cleveland D.J. that coined the term “Rock and Roll”

3. Elvis Presley.  Walked into 706 Union Ave. Memphis

2. Sam Phillips becomes the father of Rock and Roll

  1. The A/R guy that Signs Ace Andres to a major label recording contract. 😉